The Lioness by Chris Bohjalian
🦁 THE LIONESS: Glamour, Guns, and a Safari from Hell (⭐️⭐️⭐️)
A luxury African safari.
A newlywed Hollywood actress.
A hand-picked group of famous friends.
And — because this is a novel and not a brochure — multiple violent deaths, betrayals, and at least one extremely unfortunate leopard encounter.
Chris Bohjalian’s THE LIONESS is an ambitious, blood-soaked historical thriller that looks like it should emotionally destroy me. Instead, I found myself admiring it from a distance… like a very well-written nature documentary where I somehow forgot to bond with the animals.
⚠️ Trigger Warnings (Seriously, Read This First)
This book includes:
Graphic violence & death
Kidnapping
Animal attacks & animal death
Pregnancy loss
Child abuse & physical abuse
Racism & colonialist themes
Sexual content
Substance abuse & addiction
Mental illness
Suicide
This is not a cozy safari.
🗺️ The Setup (Very Brief, I Promise)
THE LIONESS is set in 1964 and follows Katie Barstow, a famous Hollywood actress honeymooning in Africa with her brand-new husband, David Hill. Instead of, you know, relaxing, Katie invites a small entourage of friends and industry people along for a luxury safari.
Because what could possibly go wrong when you mix fame, money, unresolved trauma, and geopolitics in the African wilderness?
Answer: everything.
🚨 FULL SPOILER PLOT SUMMARY (THIS IS A SPOILER BLOG — LET’S GO)
🏕️ The Safari Begins
Katie’s safari group includes:
Billy, her older brother, deeply traumatized from severe childhood abuse
Margie, Billy’s pregnant wife
Carmen, a fellow actress with ambition to spare
Felix, Carmen’s insecure husband who already hates this trip
Reggie, Katie’s publicist and WWII veteran
Peter, Katie’s agent and consummate opportunist
They’re guided by Juma and Muema, experienced African guides, and led by Charlie Patton, described as one of the last “great white hunters” — which is… a phrase.
The early chapters luxuriate in lush safari imagery, animals, landscapes, and gossip-magazine-style teasers that hint — very unsubtly — that these people are absolutely doomed.
🔫 The Attack
Four days in, armed white men storm the camp.
Juma is shot and killed almost immediately
The group is split into three vehicles
Chaos erupts, and any illusion of safety evaporates
Peter, attempting to grab a gun like the genre demands, is instead killed by a leopard, which is honestly one of the most memorable deaths in the book and also deeply unfair.
🚙 Three Vehicles, Three Disasters
Vehicle One: Katie, David, Billy, Margie, and Terrance
They’re taken to abandoned Maasai huts, tied up, and psychologically tormented.
Margie miscarries and later dies
David is singled out for special interest by the Russian kidnappers
Billy’s childhood abuse resurfaces as he’s restrained, mirroring his mother’s cruelty
Vehicle Two: Carmen, Felix, and Reggie
This group attempts resistance.
The vehicle crashes
Felix is shot and killed
Reggie later dies after being mauled by hyenas, which feels both excessive and very on-theme
Carmen survives by sheer force of will and possibly main-character energy.
Vehicle Three: The Safari Staff
This is the bleakest storyline.
The African guides and porters are treated as expendable
Benjamin, a chief porter, is killed defending his friend
This section sharply exposes the novel’s themes of colonialism and disposability
🔍 The Big Reveal (AKA: The Emotional Pivot)
Here’s the twist that should have wrecked me:
David helped plan the kidnapping
He was being blackmailed by the Russians
His art gallery was failing
He wanted a cut of the ransom
Oh, and he cheated on Katie
David is shot and killed, and the mastermind Viktor Procenko reveals everything.
Katie, finally done with men and their nonsense, kills Viktor.
Honestly? Fair.
📖 Epilogue (2022)
Carmen goes on to have a long, successful acting career
Billy writes a bestselling memoir about his childhood abuse
Katie becomes a recluse, emotionally shattered by betrayal and survivor’s guilt
Carmen reflects on survival — why she lived, why others didn’t — and compares herself to a lioness, which ties neatly back to the title and the book’s fixation on predators, both human and animal.
🤔 Why This Didn’t Fully Work for Me
Here’s my issue — and I’ve noticed this with THE PRINCESS OF LAS VEGAS too.
Bohjalian is a very strong writer. The scenes are vivid. The violence is brutal. The tension is real. The structure — gossip-magazine snippets followed by tragedy — is clever.
But by the end, I felt… detached.
I kept asking myself:
If this is “just” a fictional kidnapping, why should I care so deeply?
There wasn’t enough humor, no truly shocking twist I didn’t see coming, and no overwhelming sense of how on earth did someone dream this up? — which are usually the three things that make a fictional book really stick for me.
Instead, I admired it. From afar. Like a beautifully staged disaster.
🦁 Final Thoughts
THE LIONESS is:
✔️ Visually immersive
✔️ Well-written
✔️ Brutal and unflinching
✔️ Structurally interesting
But emotionally? It never fully grabbed me.
That said, I’m not writing off Chris Bohjalian. He’s clearly talented, and he has a deep backlist. I’m still holding out hope that one of his books will hit that fantastic story sweet spot for me.
Final Rating: ⭐️⭐️⭐️ (3/5)
📚 If You Want More “People in Extreme Situations” Reads
THE GREAT ALONE – Kristin Hannah
THE WOMEN – Kristin Hannah
THE RUINS – Scott Smith
DEADLY VISION – T.D. Severin
THE SILENT PATIENT – Alex Michaelides

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